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For the first 3/4 albums the setup was basically the same.
Noel used Epiphone Riviera's and Sheratons, although the whole of Definatly Maybe was recorded with an epiphone les paul, which he later gave away to Digsy from Smaller. His FX board was pretty basic, containing a Vox Wah, Boss PH2, DD3 and HR2. This ran through a Korg tuner to a splitter box, one side ran into a Vox AC30, later to be a Marshall Bluesbreaker combo, the other ran into another splitter box which ran into a JCM900 stack and a WEM dominator combo. His huge sound was basically each amp cranked up to give a wall of sound.
Paul "Bonehead" Arthurs used a Epiphone Riviera straight to a Marshall valvestate amp.
Noel used a few other guitars in the studio, a strat and another les paul that Jonny Marr gave him but the amps stayed the same, the two combos and the JCM900 for solo's.
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OK, here goes:
Early days, before they were signed:
Noel:
Epiphone Les Paul
Epiphone Rivera
Marshall Valvestate 8080 combo
Wem Dominator 15 watt tube Combo
Roland Space Echo
No idea about pedals, or the others.
Definately Maybe Tour:
Noel:
Marshall JCM900 Hi Gain Dual Reverb Head, and 2 4x12 cabinets
Orange Overdrive Head and Orange 4x12 cabinet
Marshall Bluesbraker combo
Two Roland Space echos (rackmounted, and cant hear them being used)
Boss DD5 and Vox Wah
Bonehead:
Epiphone Rivera
Unkown Les Pual copy with capo 3rd fret (for Up in the Sky)
Marshall JMP 50 watt combo
Marshall JCM 900 head and 2x12 cab (spare?)
Sometimes 2x12 cabs were used with the JMPS for large gigs.
Morning Glory Tour:
Noel:
Epiphone Rivera "Union Jack"
Marshall JCM 900 head, and 2 4x12 cabinets
Marshall Bluesbreaker Combo
Wem Dominator Mk III combo
Wem Dominator combo (used for Maine Road gig, aswell)
Crybaby/Vox wah
Boss PH2 phaser (for Swamp Song)
Boss DD5 Delay
Bonehead:
Epiphone Rivera
2 Marshall JMP 50 watt combos and 2x12 cabs
Marshall JCM 800 head, and 2 4x12 cabinets (big outdoor gigs only)
Be Here Now Tour:
Noel:
Epiphone Sheraton
Epiphone Rivera
Gibson "Sparkleburst" Les Paul (those are the only 3 I know of)
Marshall JCM 900 head, and 2 4x12 cabinets
Matchless Cheiftan head, and Matchless 4x12 cab
Marshall Bluesbreaker combo
Wem Dominator MkII/Vox AC30
Crybaby Wah
Boss DD5 delay
BOSS CH1 chorus
BOSS PH2 Phaser
Bonehead:
Epiphone Rivera
Fender Tonemaster Heads and cabs
Marshall Plexi head and 4x12 cabs
(not sure about those. I have seen them onstage)
Marshall Guv'nor overdrive pedal
SOTSOG tour:
Noel:
Gibson Les Pauls (various)
Rickenbaker 330
Fender Paisly Telecaster
Clarke Beufort and other Clarke combo (beufort into Marshall 4x12 TV cab)
Orange Overdrive head (hidden, into Marshall 4x12 TV cab)
Vox AC50 head (ontop of rack, into Marshall 4x12 TV cab)
Rack: TC Electronics 2290 delay (thats the only real "effect"), Korg DTR1 Tuner, Furman PL8 Power Supply,. "Double ****ing posh splitter box MkII, More signal splitters/noise reduction stuff)
Crybaby 535Q wah
Ibanez TS9
BOSS LS2
Way Huge Aquapuss Delay (for those crazy noise at the end of gigs)
SIB Echodrive (again, dleay used for crazy sounds)
Hughes and Kettner Rotosphere Mk1 (Who Feels Love, and Gas Panic)
Gem (Colin):
Gibson Firebirds
Epiphone John Lennon Model
Vox AC30
Marshall JMP 50 heads (2)
Marshall 4x12 TV cabs (2)
Rack: Korg DTR1 Tuner, Rack drawer (containing pedals, controlled by the MIDI Pedalboard??)
Line 6 DL4 Delay
Crybaby Wah
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