Oasis was arguably one of the most important bands of the 90s, and by the looks of the crowds on their current world tour, is still enjoying a loyal following. The Manchester quintet’s current sell out tour, in support of their latest release 'Don't Believe the Truth,' began in the UK this summer and is currently wrapping up a US leg. It now moves on to Japan and Australia.


Lighting designer is Andi Watson who uses 87 MAC 2000 Wash, 40 MAC 2000 Performance and Atomic strobes with Atomic Colors on the stadium show, with supply by PRG. An arena show uses a smaller rig.

Lighting Designer Andi Watson

The MAC 2000 Performance is the main profile spot on the show and Andi uses its graphical features extensively. “I love the Performance fixture mainly due to the animation wheel,” Andi stated. “It enables you to give such a fantastic direction to the energy and light you’re using. We use that quite a lot, probably more than we use gobos. It tends not to be spectacularly dark when we start the stadium shows - a lot of the time you don’t see the beams right at the beginning - so a lot of the gobos aren’t actually that visible so it’s more about texture and the artist and where that light ends up.”

Andi uses the animation wheel as a combination of aerial effect and targeted effect. He explains, “We have eight Performances on either side of the stage on staggered bars, some on the front truss, and three sets of four on ‘quads’ which are moving lighting pieces mounted on three curved trusses used to create different levels of truss and different dynamics. Those Performance fixtures may all be pointed down to the band doing a moving texture effect but the animation will be angled so the audience looks straight across the animation. They do an aerial effect as well as a dynamic movement effect across the band or indeed across some of the metal set structures or on the back line on the cyc themselves.



“If you take a gobo and rotate it in smoke, if you don’t have a huge amount of light, the differences between the layers where you have got the gobo and the part where you don’t have as much gobo aren’t that distinct necessarily. But if you get the animation wheel with the radial breakup and you look into the beam or across the beam you have areas of light then nothing, light then nothing – it’s dynamically moving. This dynamic lighting feature fits well into higher ambient light conditions.”

MAC 2000 Wash